Underworld, a novel by Don DeLillo, was published in 1997 and quickly gained critical acclaim for its exploration of American culture and history through the lens of baseball. In this article, we will delve into the dark and twisted world of Underworld, as summarized by the author himself. DeLillo’s novel takes readers on a journey through the Cold War, the Cuban Missile Crisis, and the aftermath of 9/11, all while examining the complexities of human relationships and the search for meaning in an ever-changing world. Join us as we explore the themes and motifs of this iconic work of literature.
Background Information
Underworld (1997) is a novel by American author Don DeLillo. It is a postmodern epic that spans several decades and explores themes such as American culture, history, and identity. The novel is set in the second half of the 20th century and follows the lives of several characters, including Nick Shay, a waste management executive, and Klara Sax, an artist. The novel is known for its complex narrative structure, which weaves together multiple storylines and perspectives. Underworld has been praised for its ambitious scope and its ability to capture the zeitgeist of the late 20th century. It has been compared to other postmodern works such as Thomas Pynchon’s Gravity’s Rainbow and David Foster Wallace’s Infinite Jest.
Plot Overview
The plot of Underworld (1997) by Don DeLillo is a complex and multi-layered exploration of American culture and history. The novel begins with a re-imagining of the famous 1951 baseball game between the New York Giants and the Brooklyn Dodgers, which is often cited as a pivotal moment in American sports history. From there, the story moves forward in time, following the lives of several characters who are all connected in various ways to the events of that game. Along the way, the novel touches on themes of violence, power, and the nature of reality itself, creating a dark and twisted world that is both unsettling and thought-provoking. Ultimately, Underworld is a powerful meditation on the American experience, and a testament to the enduring power of literature to explore the deepest and most complex aspects of the human condition.
Main Characters
The main characters in Underworld are diverse and complex, each with their own motivations and struggles. The protagonist, Nick Shay, is a former waste management worker who becomes embroiled in the world of organized crime. His love interest, Marian Janssen, is a wealthy art dealer who becomes entangled in Nick’s dangerous world. Other notable characters include the ruthless gangster, Albert Bronzini, and the enigmatic artist, Klara Sax. Together, these characters navigate the dark and twisted underworld of New York City in the 1950s and beyond.
Themes and Motifs
One of the most prominent themes in Underworld is the idea of the American Dream and its failure. DeLillo explores the disillusionment and disappointment that many characters feel as they realize that the promises of success and happiness that were once held out to them are unattainable. This is particularly evident in the character of Nick Shay, who is haunted by the memory of a lost opportunity to achieve greatness and is constantly searching for a way to recapture that feeling of possibility. Another important motif in the novel is the idea of waste and decay. DeLillo uses images of garbage, pollution, and decay to suggest that the American Dream has left behind a legacy of destruction and decay, both in the physical environment and in the lives of the characters. This motif is particularly evident in the descriptions of the Fresh Kills landfill, which serves as a symbol of the waste and excess of American society. Overall, the themes and motifs of Underworld reflect DeLillo’s critique of American culture and his exploration of the human condition in the modern world.
Symbolism
Symbolism plays a significant role in the world of Underworld. From the opening scene of a baseball game to the final moments of the novel, DeLillo uses symbolism to convey deeper meanings and themes. The baseball game, for example, represents the American Dream and the idea of a level playing field. However, as the game progresses, it becomes clear that this dream is unattainable and that the playing field is anything but level. The game also serves as a metaphor for the Cold War and the arms race between the United States and the Soviet Union. The characters in the novel are also symbolic, representing different aspects of American society and culture. From the artist who creates a giant ball of garbage to the scientist who studies the effects of nuclear weapons, each character embodies a different aspect of American life. Overall, the symbolism in Underworld adds depth and complexity to the novel, allowing readers to explore the themes and ideas presented in a more meaningful way.
Setting
The setting of Underworld (1997) is a crucial element in the novel’s exploration of American culture and history. DeLillo’s narrative spans several decades and locations, from the Bronx in the 1950s to the Nevada desert in the 1990s. The novel’s opening scene takes place at the Polo Grounds in New York City, where a young boy named Cotter Martin witnesses Bobby Thomson’s famous “Shot Heard ‘Round the World” home run. This event serves as a touchstone for the novel’s themes of memory, nostalgia, and the power of popular culture. As the story unfolds, we see how the characters’ lives intersect with major historical events such as the Cuban Missile Crisis and the Vietnam War. The novel’s final section takes place in the Nevada desert, where a group of characters gather to witness the detonation of a nuclear bomb. This haunting and surreal scene underscores the novel’s critique of American society and its obsession with power and destruction. Overall, the setting of Underworld is a rich and complex landscape that reflects the novel’s themes and ideas.
Narrative Style and Structure
Don DeLillo’s narrative style and structure in his summary of Underworld (1997) is both complex and intriguing. He weaves together multiple storylines and characters, jumping back and forth in time, to create a rich and layered narrative.
One of the most striking aspects of DeLillo’s style is his use of language. He employs a poetic and often surrealistic prose that is both beautiful and unsettling. This style is particularly effective in capturing the dark and twisted world of the novel, where violence and corruption are rampant.
DeLillo also plays with structure, using a non-linear timeline to explore the interconnectedness of the characters and events. He jumps back and forth in time, sometimes within the same paragraph, to create a sense of disorientation and confusion. This mirrors the chaotic and unpredictable nature of the world he is describing.
Overall, DeLillo’s narrative style and structure in his summary of Underworld (1997) is a masterful example of how language and form can be used to create a powerful and immersive reading experience.
Cinematography and Soundtrack
The cinematography and soundtrack of Underworld (1997) play a crucial role in creating the dark and twisted atmosphere of the film. The use of low-key lighting and shadows adds to the sense of mystery and danger that permeates every scene. The camera work is often shaky and frenetic, adding to the sense of chaos and unpredictability.
The soundtrack, composed by Graeme Revell, is equally haunting and atmospheric. The use of electronic and industrial sounds creates a sense of unease and tension, while the occasional use of classical music adds a touch of elegance and sophistication. The soundtrack also features several songs by popular alternative bands of the time, such as Nine Inch Nails and Depeche Mode, which further enhance the film’s edgy and subversive tone.
Overall, the cinematography and soundtrack of Underworld (1997) work together seamlessly to create a truly immersive and unforgettable cinematic experience.
Reception and Criticism
The reception and criticism of Don DeLillo’s Underworld (1997) has been mixed. While some critics have praised the novel for its ambitious scope and intricate structure, others have criticized it for being overly dense and difficult to follow. Some readers have also found the novel’s dark and twisted world to be unsettling and disturbing. Despite these criticisms, Underworld remains a landmark work of contemporary literature, and its influence can be seen in the work of many writers who have followed in DeLillo’s footsteps. Whether you love it or hate it, there’s no denying that Underworld is a powerful and unforgettable novel that continues to captivate readers more than two decades after its initial publication.
Impact on Pop Culture
The impact of Underworld on pop culture cannot be denied. The film’s dark and twisted world of vampires and werewolves has inspired countless other works of fiction, from books to movies to TV shows. The popularity of the film has also led to a resurgence of interest in the horror genre, with many fans eagerly seeking out similar works. Additionally, the film’s iconic characters, such as Selene and Michael, have become beloved figures in the world of pop culture, inspiring countless cosplays and fan art. Overall, Underworld’s impact on pop culture is undeniable, and its legacy will continue to be felt for years to come.
Analysis of the Ending
The ending of Underworld (1997) is a complex and thought-provoking conclusion to a novel that explores themes of identity, memory, and the human condition. The final scene, in which the protagonist Nick Shay confronts his past and the legacy of the Cold War, is both haunting and ambiguous. Some readers may interpret the ending as a moment of redemption for Nick, as he finally comes to terms with his own role in the events that shaped his life. Others may see it as a bleak commentary on the futility of human existence, as Nick is left alone to contemplate the meaninglessness of his actions. Regardless of one’s interpretation, the ending of Underworld is a powerful and unforgettable conclusion to a novel that challenges readers to confront the darkest aspects of the human experience.
Exploration of the Film’s Philosophy
The philosophy behind Underworld (1997) is a complex and dark one. The film explores the idea of identity and how it can be manipulated and controlled by external forces. The characters in the film are all struggling with their own sense of self, and the world they inhabit only serves to exacerbate these issues.
One of the key themes in the film is the idea of power and how it can corrupt even the most well-intentioned individuals. The vampires in the film are portrayed as powerful and alluring, but also deeply flawed and morally bankrupt. They use their power to control and manipulate those around them, and their actions have far-reaching consequences.
Another important aspect of the film’s philosophy is the idea of mortality and the fear of death. The vampires in the film are immortal, but they are also trapped in a never-ending cycle of violence and bloodshed. They are unable to escape their own existence, and this leads to a sense of despair and hopelessness.
Overall, the philosophy behind Underworld (1997) is a bleak and unsettling one. The film forces us to confront our own mortality and the fragility of our sense of self. It is a powerful and thought-provoking work that continues to resonate with audiences today.
Comparison to Other Vampire Films
When it comes to vampire films, Underworld stands out for its unique take on the genre. Unlike other vampire films that focus on the romantic and seductive aspects of vampirism, Underworld delves into the dark and violent world of the supernatural. The film’s gritty and intense action sequences set it apart from other vampire films, which often rely on special effects and CGI to create their supernatural elements. Additionally, Underworld’s complex mythology and intricate world-building make it a standout in the genre. While other vampire films may focus on the individual struggles of their vampire characters, Underworld explores the larger political and societal implications of a world where vampires and werewolves exist. Overall, Underworld offers a fresh and exciting take on the vampire genre that sets it apart from other films in the genre.
Interpretation of the Title
The title of the film, Underworld, can be interpreted in a number of ways. On one hand, it could refer to the literal underworld, the dark and dangerous world beneath the surface of the earth. This interpretation is supported by the film’s focus on the criminal underworld and the shadowy figures that inhabit it. On the other hand, the title could also be seen as a metaphor for the hidden depths of the human psyche, the dark and twisted world of our own inner selves. This interpretation is supported by the film’s exploration of themes such as violence, obsession, and the nature of reality. Ultimately, the title of Underworld is a fitting one for a film that delves deep into the murky depths of the human experience, shining a light on the darkest corners of our souls.
Discussion of Violence and Gore
The violence and gore in Underworld (1997) are not for the faint of heart. From the opening scene, where a man is brutally beaten to death, to the final showdown between the two rival gangs, the film is filled with graphic and disturbing images. Some viewers may find the level of violence excessive, but it is important to remember that the film is a reflection of the dark and twisted world it portrays. The violence serves to underscore the brutal nature of the criminal underworld and the lengths to which people will go to protect their interests. While it may be difficult to watch at times, the violence and gore in Underworld are an integral part of the film’s overall message and should be viewed in that context.
Exploration of the Film’s Sexuality
The exploration of sexuality in Underworld (1997) is a complex and multifaceted aspect of the film. From the overtly sexualized imagery of the vampires to the subtle hints of homoeroticism between the male characters, the film delves into the darker aspects of human desire and lust. The relationship between Selene and Michael, for example, is fraught with tension and sexual energy, as they navigate their attraction to each other amidst the chaos of the vampire and werewolf war. Additionally, the film’s portrayal of the vampires as sensual and seductive creatures adds to the overall eroticism of the story. Overall, the exploration of sexuality in Underworld adds a layer of complexity and depth to the film, making it a truly unforgettable experience.
Analysis of the Film’s Political Themes
The political themes in Underworld (1997) are complex and multi-layered. On the surface, the film is a commentary on the Cold War and the arms race between the United States and the Soviet Union. The opening scene, which takes place at a baseball game in New York City in 1951, sets the tone for the rest of the film. The game is interrupted by a group of anti-communist protesters, who are carrying signs that read “Better Dead Than Red.” This scene is a clear reference to the McCarthy era and the fear of communism that gripped the United States in the 1950s.
As the film progresses, it becomes clear that the political themes are not limited to the Cold War. Underworld also explores issues of race, class, and power. The main character, Nick Shay, is a former waste management worker who has risen to the top of the corporate ladder. He is a symbol of the American Dream, but his success comes at a cost. He is forced to confront the dark side of capitalism and the corruption that exists at the highest levels of society.
The film also touches on the issue of police brutality and the abuse of power by law enforcement. The character of Klara Sax, a performance artist who becomes involved in a terrorist plot, is a clear reference to the real-life case of Patty Hearst, who was kidnapped by the Symbionese Liberation Army in 1974. The film raises questions about the role of the media in shaping public opinion and the way in which political movements are portrayed in the press.
Overall, Underworld is a thought-provoking film that explores a wide range of political themes. It is a commentary on the state of American society in the late 20th century and the issues that continue to plague us today.
Interviews with Cast and Crew
In an interview with director Len Wiseman, he revealed that the idea for Underworld came from his fascination with the idea of a war between vampires and werewolves. He wanted to explore the idea of these two supernatural beings existing in the same world and the conflicts that would arise from their coexistence. Wiseman also shared that he was inspired by the visual style of The Matrix and wanted to incorporate similar elements into Underworld.
Kate Beckinsale, who played the lead character Selene, spoke about the physical demands of the role. She underwent extensive training in martial arts and weapons handling to prepare for the action-packed scenes. Beckinsale also discussed the complexity of Selene’s character, stating that she was drawn to the role because of the depth and layers of the character.
Scott Speedman, who played the human-turned-werewolf Michael, talked about the challenges of playing a character who undergoes a physical transformation. He also shared that he enjoyed the dynamic between Michael and Selene, as their relationship was a key aspect of the film.
Overall, the cast and crew of Underworld worked hard to bring the dark and twisted world to life on screen. Their dedication and passion for the project is evident in the final product, which has become a cult classic in the years since its release.
Trivia and Fun Facts
Did you know that the original title for the film Underworld was “Transmutations”? The title was changed to avoid confusion with a British horror film of the same name. Additionally, the film’s director, Len Wiseman, met his future wife, Kate Beckinsale, on the set of Underworld. The two were married in 2004 and have since divorced. Another interesting fact is that the film’s budget was only $22 million, but it went on to gross over $95 million worldwide. These fun facts add an extra layer of intrigue to the already dark and twisted world of Underworld.