Zora Neale Hurston is a celebrated author of the Harlem Renaissance, known for her vivid storytelling and unique voice. One of her most famous works is “Color Struck,” a short story that explores the complex dynamics of colorism within the African American community. In this article, we will delve into Hurston’s literary techniques and themes in “Color Struck,” and analyze how she sheds light on the damaging effects of colorism on individuals and society as a whole.
Historical Context
Zora Neale Hurston’s work, Color Struck, was published in 1925 during the height of the Harlem Renaissance. This was a time when African American artists, writers, and musicians were flourishing and creating a new cultural identity for themselves. The Harlem Renaissance was a movement that celebrated black culture and sought to challenge the negative stereotypes that had been perpetuated about African Americans for centuries. Hurston’s work was a part of this movement, and it reflected the themes and ideas that were prevalent during this time. Color Struck explores the complex issues of colorism and racism within the African American community, and it does so in a way that is both poignant and thought-provoking. By examining the historical context in which this work was created, we can gain a deeper understanding of the themes and ideas that Hurston was trying to convey, and we can appreciate the significance of her contribution to the Harlem Renaissance.
The Concept of Colorism
The concept of colorism is a form of discrimination that is based on skin color. It is a phenomenon that has been prevalent in many societies, including the African American community. Colorism is often associated with the idea that lighter skin is more desirable and attractive than darker skin. This belief has led to the marginalization and mistreatment of individuals with darker skin tones. In her work, Zora Neale Hurston explores the impact of colorism on the lives of African Americans. She highlights the ways in which this form of discrimination has affected their self-esteem, relationships, and opportunities. Through her writing, Hurston challenges the notion that lighter skin is superior and encourages readers to embrace their unique beauty, regardless of their skin color.
Character Analysis
In Zora Neale Hurston’s Color Struck, the character of Alcee is a complex and intriguing figure. As the love interest of the protagonist, Emma, Alcee is initially portrayed as a charming and handsome man who captures Emma’s heart. However, as the story progresses, it becomes clear that Alcee is deeply conflicted about his own racial identity and the societal expectations placed upon him.
Throughout the novel, Alcee struggles with his desire to be accepted by both the black and white communities. He is light-skinned and often passes as white, which allows him certain privileges and opportunities that are not available to darker-skinned individuals. However, Alcee is also deeply connected to his black heritage and feels a strong sense of loyalty to his community.
This internal conflict is further complicated by Alcee’s relationship with Emma. As a dark-skinned woman, Emma is often subjected to discrimination and prejudice within the black community. Alcee’s attraction to her is seen as a betrayal by some of his lighter-skinned friends and family members, who view Emma as inferior because of her skin color.
As the story unfolds, Alcee is forced to confront these conflicting loyalties and make a choice about where his true allegiances lie. Ultimately, his decision has far-reaching consequences for both himself and Emma.
Through the character of Alcee, Hurston explores the complex and often painful realities of colorism within the black community. She highlights the ways in which skin color can shape a person’s experiences and opportunities, and the difficult choices that individuals must make in order to navigate these societal expectations.
Symbolism in Color Struck
Color Struck, a play written by Zora Neale Hurston, is a masterpiece that explores the theme of colorism in the African American community. The play is rich in symbolism, and the use of colors is one of the most significant symbols in the play. The colors used in the play represent different aspects of the characters’ lives and their struggles with colorism.
For instance, the color yellow is used to symbolize the light-skinned African Americans who are considered superior to their dark-skinned counterparts. The character of Yellow Mary, who is light-skinned, is portrayed as a woman who is proud of her skin color and uses it to her advantage. She is seen as a symbol of the color hierarchy in the African American community, where light skin is considered more desirable than dark skin.
On the other hand, the color black is used to symbolize the dark-skinned African Americans who are discriminated against because of their skin color. The character of Dark-Skinned Lulu is a symbol of the struggles that dark-skinned African American women face in a society that values light skin. She is constantly reminded of her skin color and is made to feel inferior because of it.
The use of colors in Color Struck is a powerful tool that Hurston uses to convey the message of the play. The colors represent the different shades of skin color in the African American community and the struggles that come with it. The play is a reminder that colorism is a pervasive issue in the African American community and that it needs to be addressed.
Themes in Color Struck
One of the central themes in Zora Neale Hurston’s Color Struck is colorism within the African American community. The play explores the idea that lighter skin is seen as more desirable and attractive, while darker skin is often stigmatized and associated with negative stereotypes. This theme is exemplified through the character of Alma, who is constantly reminded of her dark skin and made to feel inferior because of it. Hurston’s work sheds light on the damaging effects of colorism and the need for self-love and acceptance within the black community.
Language and Dialect in Color Struck
In Zora Neale Hurston’s Color Struck, language and dialect play a significant role in the portrayal of the characters and their social status. The use of dialect, particularly the African American Vernacular English (AAVE), highlights the cultural and linguistic differences between the characters. The characters who speak in standard English are often portrayed as more educated and privileged, while those who speak in AAVE are seen as less educated and lower class. This dichotomy is further emphasized by the use of code-switching, where characters switch between AAVE and standard English depending on their audience. Hurston’s use of language and dialect in Color Struck not only adds depth to the characters but also sheds light on the social and cultural dynamics of the time period.
Impact of Color Struck on African American Literature
The impact of colorism on African American literature is undeniable, and Zora Neale Hurston’s work is a prime example of this. In her novel, “Color Struck,” Hurston explores the complexities of colorism within the African American community. The novel highlights the ways in which lighter-skinned individuals are often privileged over their darker-skinned counterparts, and how this privilege can lead to internalized racism and self-hatred.
Hurston’s work has had a significant impact on African American literature, as it has helped to shed light on the damaging effects of colorism. Her novel has inspired countless other writers to explore this topic in their own work, and has helped to spark important conversations about race and identity within the African American community.
Overall, the impact of “Color Struck” on African American literature cannot be overstated. Hurston’s work has helped to bring attention to an important issue that continues to affect the lives of many African Americans today. By exploring the complexities of colorism in her writing, Hurston has helped to pave the way for future generations of writers to continue this important work.
Comparing Color Struck to Other Works by Zora Neale Hurston
Zora Neale Hurston is a renowned author and anthropologist who has left an indelible mark on the literary world. Her works are known for their vivid descriptions of African American life and culture, and her unique writing style has earned her a place among the most celebrated writers of the Harlem Renaissance. In this section, we will compare Color Struck to some of Hurston’s other works to gain a better understanding of her literary style and themes.
One of Hurston’s most famous works is Their Eyes Were Watching God, a novel that explores the life of Janie Crawford, a young African American woman who searches for love and self-discovery in the early 20th century. Like Color Struck, Their Eyes Were Watching God deals with themes of race, gender, and identity, but it does so on a much larger scale. The novel spans several decades and covers a wide range of experiences, from Janie’s childhood in rural Florida to her relationships with various men and her eventual return to her hometown.
Another work by Hurston that is worth comparing to Color Struck is Mules and Men, a collection of folklore and stories from African American communities in the South. While Mules and Men is not a work of fiction like Color Struck, it shares Hurston’s interest in exploring the lives and experiences of African Americans. The book is a fascinating look at the traditions and beliefs of these communities, and it provides valuable insight into the cultural context in which Hurston’s fiction is set.
Overall, comparing Color Struck to other works by Zora Neale Hurston helps us to see the common themes and concerns that run throughout her writing. Whether she is exploring the lives of fictional characters or documenting the folklore of real communities, Hurston’s work is always rooted in a deep understanding of African American culture and history.
The Reception of Color Struck
The reception of Zora Neale Hurston’s Color Struck was mixed upon its initial publication in 1925. Some critics praised the play for its exploration of colorism within the Black community, while others criticized it for perpetuating harmful stereotypes. However, over time, Color Struck has become recognized as an important work in Hurston’s oeuvre and a significant contribution to the literary canon of the Harlem Renaissance. Its themes of colorism and intra-racial discrimination continue to resonate with readers today, making it a valuable piece of literature for contemporary discussions on race and identity.
Gender and Power Dynamics in Color Struck
In Zora Neale Hurston’s Color Struck, gender and power dynamics play a significant role in the lives of the characters. The story follows the relationship between two young lovers, Alcee and Liza Jane, who are both members of the African American community in the early 20th century. Liza Jane is considered to be “high yellow,” meaning she has lighter skin than most members of her community, while Alcee is considered to be “black.” This difference in skin color creates a power dynamic between the two characters, with Liza Jane holding more power due to her lighter skin. However, this power dynamic is complicated by the fact that Liza Jane is a woman, and therefore still subject to the patriarchal power structures of the time. Through the characters of Alcee and Liza Jane, Hurston explores the complex ways in which race and gender intersect to shape power dynamics within the African American community.
Religion and Spirituality in Color Struck
Religion and spirituality play a significant role in Zora Neale Hurston’s novel, Color Struck. The characters in the novel are deeply rooted in their religious beliefs and practices, which shape their worldview and interactions with others. The protagonist, Alma, is a devout Christian who believes in the power of prayer and the importance of living a righteous life. She often turns to her faith for guidance and strength in difficult times.
However, religion also serves as a source of division and conflict in the novel. The character of Laura, who is light-skinned and considered more desirable in the community, is a follower of the Spiritualist church, which is viewed with suspicion and disdain by many of the other characters. This creates tension between Laura and Alma, who sees her as a threat to her own relationship with her husband, Eugene.
Overall, Hurston’s portrayal of religion and spirituality in Color Struck highlights the complex ways in which these beliefs can both unite and divide communities. It also underscores the importance of examining the ways in which religion intersects with other aspects of identity, such as race and gender.
The Role of Folklore in Color Struck
Folklore plays a significant role in Zora Neale Hurston’s Color Struck. The story is set in the rural South, where African American folklore was deeply ingrained in the culture. Hurston uses folklore to explore the themes of colorism and self-hatred within the African American community. The character of Liza Jane, for example, is a representation of the “tragic mulatto” archetype in folklore. She is light-skinned and beautiful, but her internalized self-hatred leads her to reject her blackness and pursue a relationship with a white man. Hurston also uses folklore to highlight the importance of community and tradition in African American culture. The character of Aunt Dilsey, who is a wise and respected elder in the community, serves as a keeper of folklore and tradition. Through her character, Hurston emphasizes the importance of preserving cultural heritage and passing it down to future generations. Overall, folklore serves as a powerful tool for Hurston to explore the complexities of race and identity in Color Struck.
The Significance of the Play Within the Play
The play within the play is a significant aspect of Zora Neale Hurston’s Color Struck. It serves as a commentary on the societal norms and expectations of the time period, particularly in regards to colorism and the hierarchy of skin tone within the Black community. The play within the play also highlights the performative nature of gender roles and the ways in which they are enforced and perpetuated. Through this device, Hurston is able to critique and challenge these oppressive systems, while also showcasing the power of storytelling and performance as a means of resistance and empowerment.
Analysis of the Climax and Resolution
The climax of Zora Neale Hurston’s Color Struck occurs when the protagonist, Alain, confronts his lover, Louisa, about her preference for lighter-skinned men. This confrontation leads to a physical altercation between Alain and Louisa’s brother, who is also light-skinned. The resolution of the story comes when Alain realizes that his obsession with skin color is causing him to lose sight of what is truly important in life, and he ultimately chooses to leave Louisa and move on with his life. This resolution highlights the theme of self-acceptance and the dangers of internalized racism. Hurston’s use of the climax and resolution effectively conveys the message that one’s worth should not be determined by their skin color, and that true happiness comes from accepting oneself and others for who they are.
Exploring the Title of Color Struck
The title of Zora Neale Hurston’s play, Color Struck, is a phrase that has been used to describe the phenomenon of colorism within the African American community. Colorism is the discrimination or prejudice against individuals with darker skin tones, often perpetuated by those with lighter skin tones. In Color Struck, Hurston explores the damaging effects of colorism on the lives of African American women. The title itself suggests that the characters in the play are “struck” or affected by their skin color, and that this issue is a central theme throughout the work. By examining the title of Color Struck, readers can gain insight into the themes and messages that Hurston is conveying in her play.
Examining the Motifs in Color Struck
One of the most prominent motifs in Zora Neale Hurston’s Color Struck is the idea of colorism within the African American community. Throughout the play, characters are judged and discriminated against based on the shade of their skin. This motif is particularly evident in the character of Alva, who is constantly reminded of her dark complexion and made to feel inferior because of it. The motif of colorism highlights the damaging effects of internalized racism and the ways in which it perpetuates discrimination within marginalized communities. Additionally, the motif of colorism serves as a commentary on the larger societal issue of colorism and the ways in which it has been used to perpetuate systemic racism.
The Importance of Setting in Color Struck
The setting of a story can often be just as important as the characters themselves. In Zora Neale Hurston’s Color Struck, the setting plays a crucial role in shaping the story and its themes. The play takes place in the early 1900s in a small African American community in Florida. This setting allows Hurston to explore the complexities of colorism within the Black community during a time when racism and discrimination were rampant. The characters’ interactions with each other and their environment highlight the damaging effects of colorism and the ways in which it perpetuates harmful stereotypes and divides communities. The setting also serves as a backdrop for the characters’ struggles with identity and self-acceptance. Overall, the setting of Color Struck is integral to the story’s message and serves as a powerful commentary on the lasting impact of colorism in society.
Historical and Cultural Significance of Color Struck
Color Struck, a play written by Zora Neale Hurston, holds immense historical and cultural significance. The play, which was first performed in 1925, explores the issue of colorism within the African American community. Colorism refers to the discrimination and prejudice that exists within a community based on skin color.
During the early 20th century, colorism was a prevalent issue within the African American community. Lighter-skinned individuals were often favored over darker-skinned individuals, and this preference was reflected in various aspects of society, including employment opportunities, social status, and even marriage prospects.
Hurston’s play sheds light on this issue and highlights the damaging effects of colorism. Through the characters of Alcee and Lulu, Hurston portrays the internalized racism and self-hatred that can result from colorism. Alcee, who is light-skinned, is ashamed of his darker-skinned wife, Lulu, and ultimately leaves her for a lighter-skinned woman.
Color Struck also serves as a commentary on the broader issue of racism within American society. The play highlights the ways in which racism and colorism intersect and perpetuate each other.
Overall, Color Struck is a powerful work that continues to resonate with readers and audiences today. It serves as a reminder of the damaging effects of colorism and the importance of addressing this issue within our communities.